tag:blogger.com,1999:blog-888153842477821014.comments2010-04-12T16:01:55.508-07:00MEANINGLESSTim Posadahttp://www.blogger.com/profile/10776480034278635702noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-888153842477821014.post-6361587540889611932010-04-12T16:01:55.508-07:002010-04-12T16:01:55.508-07:00I liked getting to see the drafts here, and learni...I liked getting to see the drafts here, and learning about the source of the music (hand-made!) which I found to be quite effectively used. The gender stuff in the film ends up being the most interesting to me as well, and I'll send you all some notes about this soon.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-888153842477821014.post-45918683390180209152010-02-26T08:14:58.888-08:002010-02-26T08:14:58.888-08:00Tim: The real strengths of this piece are its &quo...Tim: The real strengths of this piece are its "weaknesses" as well: it is expertly edited to create a zippy, smooth, fast, polished whirlwind of a ride composed of a multiplicity of elements that add up to one forceful argument. Your hand is one of directed dynamism. A weakness, as I said, only if one is not familiar with the material. For example, you don't identify where clips come from (and this is probably evident to fans), cementing the power of your voice. This said, your voice over performance is not as foreceful as your editing, an interesting tension is created. For instance, the voice-oer leaves ultimate conclusions to the reader although I think you are pretty clear about how you feel about this gun (at least visually). Great work.Anonymousnoreply@blogger.com