Battlestar Galactica: Rest in Frakkin' Peace

I just watched the series finale of Battlestar Galactica tonight. Now, to some of my friends, this comes as a relief as it won't be on as much in the house, making way for potentially less nerdy things. To them, I will simply smile and hear their latest complaints when they begin to notice the new shows, like Dr. Who or my latest rediscovery of Babylon 5. The nerd will live on. On that note, I've also been collecting a large amount of comic books lately. I have most of the Civil War story arc from the Marvel Universe, along with several trades from The New Avengers storyline. Anyways, back to BSG.

I know many people will discuss the finale with a very critical edge. My roommates didn't particularly care for the end, and I must admit I think it could have been better. But besides the nit picky, I was very satisfied. It answered many of the questions and ended with just enough ambiguity. I appreciated the finale's pace. It didn't end with a battle, but almost created a very lengthy afterward. Sure, Return of the King did this and everyone got annoyed, wondering when the credits were coming. But BSG had a lot to close off and it didn't feel the need to do that when the explosions very coming. Instead, it just revealed them naturally. To hell with the 3rd act from the screenwriter's playbook. Without giving any details away, the ending was what I expected and wanted.

I'm gonna miss this show. I know people think I'm crazy when I say this, to which my only response is you don't know, but BSG is the best show on TV right now. Its end only marks the continued downfall of television dramas. Sitcoms are doing fine, but dramas are getting thrown off TV quicker than Garfield can eat a lasagna. BSG's end means I'll have a greater reason to turn off the TV and return to my DVD collection. It deserves the Emmy for best drama. Season 4 was sensational, as were the other seasons, and it did things shows have never tried. Its brilliance lies in its ability to be remain true to itself.

It's a sci-fi show that addresses terrorism, love, God, genetics, robotics, Greek mythology, cloning, class struggle, military culture, ethics, and prophecy.

And all the while, a Bob Dylan song is playing in the background.

I'll greatly miss this show. I'm looking forward to the made-for-TV BSG film that'll premiere later this year (though it's a stand alone). And I'm also curious about the spin-off series Caprica, coming out next year. I don't know if the concept of the show will last, but I'm committed to giving it a try. The golden era of television has long been over, and BSG's exodus marks the outro of a diamond in the rough. BSG, RIP. And for that matter, TV in general, RIP.

The Story of David Comes to NBC

So iTunes is just one of the best things created since awesomeness came to the earth. Steve told me today that the pilot of the new TV show Kings was on it for free. I downloaded the hour and a half episode of the new NBC show episode titled, "Goliath" and watched it with my roommates. For those who don't know, Kings is a modern retelling of the story of King David. It's set in a fictional kingdom that functions much like how we'd imagine a place like England would if they had a king, but the setting is a mix between New York and Chicago. The architecture shots of the capital, known as Shiloh (Hebrew lovers, look it up), are incredible and truly set the stage for the show. A closer look behind the scenes also reveals some fascination stuff. Producer an director Francis Lawrence (who directed films like Constantine and I am Legend) is Catholic. Former Heroes producer Michael Green is Jewish. And another major producer (his name slips my memory, though I did hear him speak at a panel at USC last) is one of the few Muslim producers in television.

I've been curious about this show for some time and I must say, I was not let down. My roommates and myself watched it with the biblical story in mind and found that it truly set up the source material well. Few characters have the same names as in the Bible, save the lead, David Shepard (get it?) and Rev. Samuel. David's relationship with the king is one of love and confusion. Rev. Samuel is stern. The show doesn't shy away from using the name of God. Even Jonathan's character is gay, something that brings much disappointment to the king. This is a controversial debate in the David story. Some say King Saul's son was gay and others say the love he had for David was brotherly love, not romantic love. Either way, taking a side makes for great drama. The production is also wonderful, and there's a lot of butterflies throughout the pilot. At the end of the episode, butterflies (the king's favorite image to evoke in the public) land on David's head in the form of a crowd.

Watching this show, I couldn't help but see similarities between Saul's character and President Bush. We have a king who uses the rhetoric of "God" to unite people, though those close to him roll their eyes at it, but he does many things God would not approve. Rev. Samuel approaches the king and tells him he is no longer in the Lord's favor. We see a man who loves his country but doesn't admit his shortcomings. In one scene, the king's daughter proposes health care reform, but the king wants to end the war and not worry about such things. Hmmm...shameless! The king is even controlled my a brother-in-law with a substantial amount of gold. Sounds a lot like the accusations against Bush's millions in the oil business.

It's refreshing to see that as Battlestar Galactica comes to an end, there are still shows worth checking out. While most TV producers are content adding to the legion of cop and hospital shows, it's nice to see that the medium of television can still pump out an original idea. Let's see if it lasts.

Wonder Woman and costumed heroines...briefly

So I just watched the animated cartoon Wonder Woman that came out on video last week. It was created by the same animators that created Superman: Doomsday, which was rather entertaining. As many know, I'm a huge fan of comics, though the Marvel Universe has my hearts many times more than DC Comics. Still, Wonder Woman was actually quite enjoyable, which makes her terrible costume all the more tragic. There's a reason no one has brought her story to the big screen (though Buffy creator Joss Whedon was actually begged for the job a couples years back), the outfit is dated and far too ridiculous. I was watching this cartoon and enjoying the mythology I was presented with: Amazon woman fight the god of war Aries, and after a great battle Zeus orders their queen to inprison Aries rather than slay him; years later, the Amazons live in isolation from the rest of the world until an Air Force pilot crashes on the island; Aries escapes and brings his warlust to the U.S., influencing all men towards their weaker and more violent sides; Wonder Woman, with an army of Amazon women, take on a god; Wonder Woman then finds her way back into society, finding a man to love--but he's the one waiting up for her, preparing dinner. But as I enjoyed this cartoon that had a generic feminist undertone, I couldn't help but laugh at how the costume undermines the point.

Are we really supposed to take the idea of "girl power" seriously in comics if the woman are still dressed like their dominatrix counterparts so many years ago? Wonder Woman, Catwoman, and so many more desperately need new looks. The latest trend in Hollywood has been to take their cues from the fanboy, an affectionate term for crazed fans who have dedicated years of their lives obsessing over cult phenomenons like Star Trek, Star Wars, and comics. And it should be easy to guess the sex of this cultural movement from the name and the general views of femininity often presented. I know the fanboy wouldn't want to see Wonder Womnan's costume change in any potential film versions of her, but it needs to happen. Sure, leave the red, white, and blue colours, but give her some pants and some bra support. It's been going on long enough, let the male gaze take on a different shape than it's usual sexism.

Since I'm talking about the female costume, it seems appropriate to bring up Watchmen as well. I recently turned in my review on Watchmen, in which I critiqued the film pretty intensely. The editor I send my articles in to at the newspaper emailed me back, telling me she agreed with my criticism of the film but also thought the worst thing about the film was its treatment of women. The treatment of women she's referring to is also in the graphic novel. There's a rape, an execution of a pregnant woman, and general distancing from seeing women as heroes (the Silk Spectre's number one strength in the story is her female role in relation to convincing Dr. Manhattan to save the world--something a man couldn't have done). I often don't know what to do with this part of the story, but I'll have a chance to really get into it when my Biola English class goes through the graphic novel. Writer Alan Moore is a very fatalistic man, and for these negative portrayals of women, he creates many more negative views of men. He's just fatalistic throughout the work (and, based on interviews with the man, his life seems to reflect his narrative negativity).

Comics were created for a male audience, but times are changing--though the demographic hasn't changed that much. But just because men are the primary consumers doesn't mean the adolescent bias should continue. Many are discussing how comics have been moving from low culture to pop culture to high culture. If the medium truly wants to make it to the top, it needs to cloth the females, get rid of the general stereotypes, and start to truly see things differently.

"Who Watches the Watchmen?" I did!

It's 3:30am and I just returned from watching Watchmen at a midnight showing in Red Bluff, CA. Going into the film I was plagued with several emotions. Critics really didn't care for the film, though Roger Ebert gave it 4 stars. Regardless, I had been excited for his film since I saw the first preview for it when The Dark Knight came out. After viewing it I find that I really want to see it again. It's 2hours and 43minutes long, so it's hard to remember it all. I find that I'm feeling the similar emotions as when I saw V for Vendetta (ironically, based on a graphic novel by the same writer/illustrator team as Watchmen). I liked it, though my original idea of what I thought it would look like is completely off.

I'm not going to give a long review as I will be writing one for the newspaper I submit articles to, so if you want to know my full thoughts just go to their website and download the PDF (or you could just ask me in real life). I will say that it was great to watch the movie after reading the graphic novel is based on. The director took greats pains to make this film the perfect adaptation, and it is...perhaps to a fault (more on that in the review). Still, I loved the graphic novel. It wasn't a superhero story about good and evil punching each other in the streets. It was a mystery story that ends in a very unexpected way. This isn't the left and right scenario most superheroes face. This is that gray area most superheroes don't seem to find themselves in. That's why Watchmen is such an important piece of superhero literature and an important piece of literature in general. TIME magazine has this one in their top 100 American literary works written since 1920. Imagine that, a major magazine has Watchmen on the same list as The Great Gatsby, Lolita, and A Clockwork Orange. Makes sense, it is that good.

I won't give anything away, but I will say the film is completely worth the price of admission for those who want to see a superhero film expand the genre's scope. It's not as good as The Dark Knight but it's an enjoyable film. Actually though, I really wanted to write this post because the film got me thinking about my top 5 favourite superheroes again and I wanted to update my list with a little more detail.
5. Gambit: there's something about a southern dude who turns playing cards into kinetic energy and throws them at his enemies; also, his uncertain loyalties make him very interesting.
4. Green Lantern: a regular dude given the power of the gods in the form of a ring; it's like Lord of the Rings stuff but with more green and aliens.
3. Wolverine: I can't help it, he's just great; Hugh Jackman brought him to life and the different versions of him in the comics are cool; he's the ultimate assassin in the Ultimate X-Men and the Weapon X storyline is so intriguing.
2. Rorschach: You'll see him in Watchmen; the uncompromising anti-hero with a strict code of honor; he's methodical, crazy, and, in the film, the inkblots on his mask continually change--so cool.
1. Captain America: I know, why would I love a character that was created to motivate soldiers in WWII; yet there's something intriguing about him; a classic hero trying to survive in contemporary America; and he leads the rebellion against the government when it decides to force all superheroes to register; interesting how he reflects this country--especially when he's assassinated and his sidekick Bucky, who was once brainwashed into a super soldier for Russia and now uses excessive force when he pleases, becomes Cap.

Pop Culture from the Margins

Last semester I taught pop culture and had a few students that had some amazing papers that I thought they should share with the school and they got that chance on Wednesday with Common Day of Learning at APU. The students did a great job and had quite a crowd. I put together a panel of three students and myself and they were able to speak for a full room. All the seats were taken and many others were sitting against the back wall. Not bad for an event that took place at 9:30am. The title of the panel was "Pop Culture from the Margins." I was really proud of how the students did.

I started the talk by presenting a methodology that covered that basics of what the panel was about: issues like privilege, representation, hegemony, and postmodernism wrapped into 15 minutes. The students-Whitney, Kim, and Eric-then presented on different ideas under this flag idea. Whitney and Eric were in the pop culture class, and Kim is on the newspaper staff, along with Whitney. Whitney gave a great talk on the "self-tropicalizatioin" of J-Lo in her films. She provided some important details on the way J-Lo has used her Latin roots to create her image. Next, Kim discussed changing gender roles in science fiction, specifically focusing on the unique gender issues presented in Battlestar Galactica (I take a little pride in helping her come up with the idea). Eric then closed with a discussion of the comic book's transition from low culture to high culture.

The students seemed very receptive to what was discussed, and rightly so since the student speakers presented their information with great interest in their topic and appropriate detail. Not just bragging, but we had a great panel that covered the many different aspect of "pop culture from the margins." Common Day of Learning is often considered a joke or annoying obligation by some students, but if they attended our panel, they found some great information with a very timely application. Good times.

Next stop, New Mexico

So I'm about to leave for a conference in Albuquerque in a few hours. I'll be presenting on a California culture panel at the 30th Annual Popular Culture and American Culture Association Conference. I presented here two years ago and it'll be interesting to do it again. Last time I did a paper on how three hyperlink films-Magnolia, Short Cuts, and Crash-represent the various aspects of Los Angeles, and this year I'll be discussing horror cinema's relationship with LA.

My presentation is titled "No One Can Hear You Scream: Los Angeles in Horror Cinema." For those who won't be attendance, I discussing what we fear about LA, based on horror films. Oddly, my conclusion is that horror films are largely silent about LA. Most such films are set in the suburbs or in the woods or back-country, focusing on people from the burbs getting attacked by "freaks." I began trying to find any random film I could to make a paper out of and then I realized I was looking too hard for obscure films, ignoring the obvious trend. Thus, my paper changed focus from what the few films have to say (though I do mention them) to a argument for silence. Horror films are known for feeding off the fears of contemporary culture (I say this acknowledging how bad many of them are), and apparently horror film viewers aren't scared of LA. This doesn't mean there isn't unease in the City of Angels. It does mean people, I argue, that the horror film watcher is more concerned with horrors elsewhere. And if "elsewhere" is defined as the burbs or anywhere people from the burbs could be, then what we have going on in the genre is a unique form of segregation.

There's plenty of things going on in LA for people to scared of, but such things are secondary as most viewers might consider the situation an "us and them" thing. The chief demographic for a blockbuster film is the 18-year-old, white, middle-class male, and he wants to see a film that represents him--and representation is often based on ethnic, gender, and economic background. Thus the viewer does not see himself (I'm intentionally using a male pronoun here to prove my point that horror film are not gender or ethnic neutral) in an LA horror film because it is a multicultural place. LA films deal with ethnic issues and horror films are known for avoiding such things in their attempt to remain neutral, appealing to everyone. Or course many have learned that attempts to appeal to a broad audience means silencing the minority view.

This is the premise. I then go on to discuss ways to engage horror films with this in mind, pulling mostly from an idea by bell hooks called "the oppositional gaze," which forces the viewer to discard passive viewing and actively engage a film text.

Unlike the last time I presented at this conference, I didn't write a formal paper. I found that I have about 15 minutes to speak and can do so in anyway I choose. I'm gonna approach it just like a very focused class lecture. Last time, I wrote a 15-page paper and still created a speech with notes. I was so nervous and spoke so fast. I laughed later when I showed up at the conference and found that I was the only one on my panel not reading straight from what I had written. I soon learned that most conferences are done in this way. Yet, there are those who just speak and with the stress of applying to a PhD program, preparing another presentation for Common Day of Learning at APU, and general class prep, it would be easier to treat this conference like a class session. I finally feel confident enough to do this. Of course I'll stutter and lose my place in my notes, but that's no different than what normally happens. At least now I can mess up with more confidence.

That said, the conference should be quite entertaining. There are several panels on Buffy the Vampire Slayer and comic books in general to keep the nerd that I am very happy. I'll probably have a few more books in the collection when I return too. Here's for academic fun. Cheers.

The latest

So I'm sitting here watching Flight of the Concords and I felt like writing a TV blog. We'll start with my list of my top 10 favourite TV shows.
1. Buffy the Vampire Slayer
2. Battlestar Galactica
3. Angel
4. Firefly
5. Avatar: The Last Airbender
6. Scrubs
7. How I Met Your Mother
8. Bleach
9. Friends
10. 24
I must say, TV is on a downward spiral but there some quite entertaining shows. Flight of the Concords might be the most original. Battlestar Galactica is the smartest and best written. I'll be sad when it ends in a few episodes but it sure is going out with a bang. 24 is still as intense as ever and keeps the suspense ripe. Heroes and Lost are pissing me off, as they continue to recapture the flames they had from season one. I haven't seen Mad Men yet, but I hear wonderful things about it. How I Met Your Mother is steady by slipping on occasion, but Big Band Theory is on fire, along with 30 Rock and The Office. I must say that I've been into Smallville and Supernatural lately too. I acknowledge the tween nature of these shows but have that they both have grown with their audiences. Supernatural is rather dark and has a great storyline right now, involving angels, breaking seals, and the end of days. Smallville got rid of most of the teen drama and is focusing on Clark Kent fighting foes like Doomsday and Braniac. Bleach is still my anime of choice; 200 plus episodes in and always getting better. Cable TV also has two gems, Entourage and Dexter. A show about an actor and his buddies, great. A show about a likable serial killer who kills other serial killers, even better. BBC TV also has some good ones, Torchwood is one of the best sci fi shows of recent years and the short-lived Primeval had some fun moments.

I will say that I don't care much about many new shows, but I am intrigued by a few. Dollhouse marks creator Joss Whedon's return to TV since Buffy, Angel, and Firefly. Kings also looks wonderful. Francis Lawrence, director of Constantine and I am Legend, has created a modern-day retelling of the story of King Saul and King David. Should be pretty interesting.

Welp, that's my TV rant. I end by saying I am sad Avatar is over and acknowledge that I watch more TV shows than most people...I'm okay with it.

Top 10 update

This is the time of year where my taste in movies changes. I live with many people that don't share my enjoyment of foreign or obscure films, so the rest of the year I wait for said films to come out on video. But Oscar season allows me, and those around me, the excuse to check out the hype of any kind of film. On Saturday night I saw Slumdog Millionaire and I was blown away. It's up there as one of the best love stories I've seen since Moulin Rouge. Last week I saw Che. It won't get many nominations but it is easily Best Picture worthy...far more than the incredibly overrated and rather disappointing Benjamin Button. Anyways, I still have a few more films to go from 2008 before the Top 10 list can be official, but here is an updated version. As expected, Wanted and Quantum of Solace got pumped.

I know some may wonder how they were there to begin with and the answer is quite simple. First, Wanted is hysterical. It's A Purpose Driven Life with guns. It's quite telling to see the American rhetoric of destiny and individualism exposed for the bloody mess it is. The film was clever and a good shoot 'em up. Any good top 10 list will acknowledge that entertainment and escapism is important as well films with a critical edge. As for Quantum of Solace. I love what they're doing with James Bond. He's no longer a glamorized alcoholic womanizer. He's a flawed man. Post 9/11 tension finally made it's way to the Bond films and after decades of the same old thing, it's nice to see a one-dimensional character get some layers. Yes, there was far too much action but Daniel Craig is the best Bond ever (I'll argue anyone on that point) and the film gave me great hope for the future of the franchise.

Now there's also the issue of why Cloverfield is on my list. First off, I'm not alone as several other critics put this postmodern monster movie on their list as well. I loved this film. I took the ideas of The Blair Witch Project to the extreme. It was brave enough to tell a story people might not want from a blockbuster. And it had some great cinematography. I felt like I was on a 3D ride and I enjoyed it all. The characters were decent and the storyline was ambiguous. Sometimes closure is overrated.

Well, w/o further ado, here's the update list in order, pre The Wrestler, Revolutionary Road, Rachel Getting Married, Doubt, Frost/Nixon, and The Reader (if any of the finalists make the cut, Wall-E will be the first to go).

1. The Dark Knight
2. Slumdog Millionaire
3. Let the Right One In
4. Iron Man
5. Milk
6. Cloverfield
7. Che
8. Tropic Thunder
9. Forgetting Sarah Marshall
10. Wall-E

The End is Nigh

So it's almost the new year and I'm getting closer to deciding on my top 10 films of the year. I just saw Australia and The Curious Case of Benjamin Button, and, while I enjoyed both, neither will make the cut. I still need to see a few more key films to make my decision: Che, The Wrestler, Slumdog Millionaire, and The Reader. I say Revolutionary Road but, honestly, it's a Sam Mendes film (he did American Beauty, Road to Perdition, and Jarhead), so while one of those three films might be great, the others were mediocre. Thus, I don't care about his latest film--even if Leo and Kate are back together. Well, here's the list so far (in no particular order).

10. Wall-E
9. Wanted
8. Quantum of Solace
7. Forgetting Sarah Marshall
6. Tropic Thunder
5. Cloverfield
4. Milk.
3. Let the Right One In
2. Iron Man
1. The Dark Knight

While this list may change, I don't think the worst films of the year will. Granted this list is incomplete since I doubt I've seen all the worst films of the year.

10. Burn After Reading
9. The Punisher: War Zone
8. Max Payne
7. Mamma Mia
6. Blindness
5. 10,000 B.C.
4. Jumper
3. The Happening
2. Don't Mess with the Zohan
1. Miracle at St. Anna

Upcoming movies to be stoked about

So the summer is basically over and with it, all the big movies are done. But there's still a lot I'm looking forward to this year and in the coming years. So here's a list of what I'm most excited about.

2008
James Bong 007: Quantum of Solace
Casino Royale may not have been the best James Bond flick, but Daniel Craig proved to be possibly the best Bong yet. Finally we're seeing the character have a soul. No more sleeping around and cocktails for the hell of it. This Bond is all about the mission and does what he has to, which may mean blowing off the girl rather than sticking around. He's emotional and emotionless, and with Marc Forster, director of Stranger Than Fiction and Finding Neverland, this film should be great.

Burn After Reading
The Coen brothers are returning to comedy after their evil tangent with No Country for Old Men. Brad Pit, George Clooney, and Tilda Swinton together, awesome.

Twilight
Hey, vampires are always awesome.

The Punisher: War Zone
I actually liked the first Punisher film. Even though the sequel has a different actor in the lead, it still looks to be a good time, super dark. After the first trailer hit the big screen, director Lexi Anderson said she was surprised they found enough action footage without gore. Colour me intrigued.

The Curious Case of Benjamin Button
David Fincher directed Alien 3 before doing thrillers, serial killer stories, and Fight Club. His next film looks completely different. It's nice to see him returning to films that could never happen. It looks like a Tim Burton film, but twice as smart.

2009
Watchmen
The director of 300 is back with another graphic novel adaptation...actually, the graphic novel adaptation. It looks amazing. This film more than any other has me freaking out. It's the mid '80s. Richard Nixon is still the president. Superheroes, while common in culture, have been made illegal. A lot of people wanna hate on 300, but it was a faithful adaptation, thus I have faith in director Zack Snyder (he also did the Dawn of the Dead remake, which was pretty good).

Wolverine
I didn't know what to think of this one until I saw a bootleg trailer that premiered at Comic Con. Now I'm stoked. Wolverine is a great character and using the Weapon X storyline to introduce a grip of new characters is a great idea.

Harry Potter and the Half-Blood Prince
This one should've come out this year, but they pushed it back eight months, so annoying. Especially since the preview is to good. I love these movies and The Order of the Phoenix was great. We''ll see if they can keep it up.

Terminator Salvation
Christian Bale is one of new favourite actors, and attaching him to one of the most interesting sci-fi concepts is brilliant. Ever since the first Terminator movie, I've wanted to see the human/robot war. Finally, it's happening, and John Connor is Bale. Sweet!

Star Trek
I grew up on the Star Trek movies and shows, so this one makes me all nostalgic. But reminiscing about my youth isn't the only reason I'm gonna see this one. Creator of Lost and Cloverfield, J.J. Abrams is helming this, so it'll be interesting to see what fresh eyes can do for a very old franchise.

Transformers: Revenge of the Fallen
I enjoyed Transformers, but it definitely took way too long to introduce Optimus Prime, luckily all the characters are established, so the explosions can just begin. Here's to badassness.

G.I. Joe: Rise of Cobra
I grew up on this cartoon, so the idea of seeing Snakes Eyes in live action gives me nothing but good feelings all over. It's gonna be mindless and thoroughly entertaining.

Top 50 Villains

So a bunch of film sites have been posting their favorite cinematic villains, and I just had to chime in. This is my list, so film history takes a backseat to my personal preference. Don't hold me to the order after like 15. I've also got a top TV villains list here too.

Top 50 Film Villains
Jack the Ripper, Iam Holmes, From Hell
Dracula, Gary Oldman, Dracula
Lady Deathstrike, Kelly Hu, X2
The crawlers, The Descent
Alonzo, Denzel Washington, Training Day
Freddy Krueger, Robert Englund, A Nightmare on Elm Street
Samara Morgan, Daveigh Chase, The Ring
The shark, Jaws
Zero Wolf, Raoul Trujillo, Apocalypto
Queen Bavmorda, Jean Marsh, Willow
The Joker, Jack Nicholson, Batman
Hans Gruber, Alan Rickman, Die Hard
The Fratellis, Anne Ramsey, Joe Pantoliano and Robert Davi, The Goonies
Jigsaw, Tobin Bell, Saw
Jennifer Carpenter, Emily Rose (when possessed), The Exorcism of Emily Rose
Hayley Stark, Ellen Page, Hard Candy
The Operative, Chiwetel Ejiofor, Serenity
Prince Nuada/Nomak, Luke Goss, Hellboy II/Blade II
Zorg, Gary Oldman, The Fifth Element
Lord Voldemort, Ralph Fiennes, Harry Potter
Ursula, Pat Carroll (voice), The Little Mermaid
Hannibal Lector, Silence of the Lambs
The Cloverfield monster, Cloverfield
Woo-jin, Yu ji-Tae, Oldboy
The Wicked Witch of the West, Margaret Hamilton, The Wizard of Oz
The Witch, Lucille La Verne, Snow White and the Seven Dwarfs
Satan, Rosalinda Celentano, The Passion of the Christ
Ommadon, James Earl Jones, The Flight of the Dragons
Mr. White, Harvey Keitel, Reservoir Dogs
Kevin, Elijah Wood, Sin City
Mr. Glass, Samuel L. Jackson, Unbreakable
Agent Smith, Hugo Weaving, The Matrix
The Emperor, Ian McDiarmid, Star Wars
Roy Batty, Rutger Hauer, Blade Runner
T-1000, Robert Patrick, Terminator 2: Judgment Day
Evil Ash, Bruce Campbell, Army of Darkness
The Predator, Kevin Peter Hall, Predator
The alien, Alien
The White Witch, Tilda Swinton, The Lion, The Witch, and the Wardrobe
Captain Hook, Dustin Hoffman, Hook
Anton Chigurh, Javier Bardem, No Country for Old Men
'Verbal' Kint, Kevin Spacey, The Usual Suspects
Ringwraiths, The Lord of the Rings
Doc Ock, Alfred Molina, Spider-Man 2
G'mork, Alan Oppenheimer (voice), The Neverending Story
Darth Vader, David Prowse & James Earl Jones (voice), Star Wars
The infected, 28 Days Later
Captain Vidal, Sergi Lopez, Pan's Labyrinth
The Joker, Heath Leger, The Dark Knight

Top 10 TV Villains
Captain Aizen, Kyle Hebert (voice), Bleach
Lucy Butler, Sarah-Jane Redmond, Millennium
Cancer Man, William B. Davis, The X-Files
Princess Azula, Grey DeLisle (voice), Avatar: The Last Airbender
Benjamen Linus, Michael Emerson, Lost
Sylar, Zachery Quinto, Heroes
The cylons, Battlestar Galactica
Caleb, Nathan Fillion, Buffy the Vampire Slayer
Angeles, David Boreanaz, Angel
The Shredder, James Avery (voice), Teenage Mutant Ninja Turtles

The Mutant Chronicles...don't expect much

While I was at Comic Con this past weekend, I attended a world preview of the film The Mutant Chronicles, starring Thomas Jane and Ron Perlman. I thought it would be fun to once again write about a film that hasn't come out in theatres yet, and be one of the first people in the world to review it.

It's a sci fi film about a world in chaos that becomes infected by mutants that want to turn everyone else into mutants as well. This is one of the projects Jane chose to take instead of doing The Punisher sequel, which is scheduled to come out in December with a different actor in the leading role of Frank Castle. On that note, Perlman played Hellboy in the recent film Hellboy II: The Golden Army, which was fantastic. But back to Jane. I can't believed he passed on reprising a role on the superhero communities favouriate anti-hero-especially when the sequel looked to have more funding and a potentially deeper storyline. Instead, the promising actor did once again another terrible film. Following the Stephen King adaptation The Mist, Jane has proven that he does not know how to pick acting roles. He had the potential to follow in the footsteps of such actors as Clive Owens but instead chose to pull a Jason Statham, taking any action role to pay the rent and not worrying about the quality of the script.

Perlman has been known for starring in many B movies, from Alien: Resurrection to In the Name of the King, but Jane always seemed to be different until now. The Mutant Chronicles is ridiculously bad. It's a British B movie with the patronizing dialogue and story to prove it. I imagine my audience of three will not be inclined to see such a film anyways, but alas it's fun to write about something no one can refute-unless the other viewers just happen to stumble on this. Anyways, the film felt like a high-budget Sci Fi Channel original film. Meaning, it had more than a TV budget but less than a quality feature film one. Tom Jane gave a disclaimer at the beginning of the film that it was still a work in progress. Some edits were rough and certain effects just needed to be fine tuned, but the foundation of the film was shit. The storyline could've been engaging, but the acting was poor and the dialogue was as chiche as it gets. It was also surprising how gory it was. I've never seen that many stabs in the neck in one film. Initially it had a mild visceral effect, but became repetitious. And boy, the dramatic moments of the film were more unbelievable than George W. Bush trying to tell the American public that he really does want peace (okay, cheap shot). About five minutes in the film, the dramatic film cued up for the first major death of the film. Sorry, five minutes isn't enough time in a low-budget film for an emotional connection worth using dramatic music for.

I love sci fi films, but I'm getting sick of so many bad screenplays being approved. I don't understand how it happens, but it's way too common. Even blockbusters like Transformers are prone to these problems. Anyways, The Mutant Chronicles sucked. Go see something better than that piece of shit when it hits like two theatres nationwide. From the look of it, Death Race will probably be better, but that's more comparing two types of shit.

To All You Runners Out There (You know who you are)

So Saturday was sports day. The idea was simple. Wake up early, play football, ultimate frisbee,
softball, basketball and run around the track. We were all rather exhausted after football but we kept going. Come lunch, after frisbee, I felt awful. Three hotdogs and then softball ain't a great idea. PS, neither is sliding during softball. The side of my leg looks a burned piece of chicken. At this point, I was done for the day. As much as I wanted to keep going (no I didn't) I went home to shower and recover. The rest of the day went well but when I wake up the next morning for church. (That's right, I went to church. My roommate's pastor was speaking on homosexuality and I couldn't resist. And for an added bonus, the congregation sang "God Bless America" and "I'm Proud to Be an American." Gotta love twisted views of religion and patriotism.) Waking up was awful. Every move hurt and sneezing hurt every muscle in my stomach. The rest of that day went by in a similar mood.

And now we're to today and to the title of this post. I woke up and decided to go for a run. Thought it might help out the soreness that is my entire body. So I tried running. I made a substantial way for someone who hasn't really run since junior high. I had two things going against me: running hurts like hell and so does the blister on the back of my ankle. I eventually took my shoes off and finished running because the damn blister hurt so much. When I got back, I was still in a lot of pain.

I know that I can't avoid this forever, but I hate running. If I'm gonna get my hurt going and feel energized, I need a different activity. All running reminds me of is how much I hate running. I did a review on the film "Run Fatboy Run" a while ago. One of the best parts of the film occurs when the main character finds out his ex's jerk boyfriend runs. He simply replies, "Why?" I laughed so hard because that's exactly my response. In the same way that I don't understand how people like drinking coffee or watching sports, I don't understand how running can be fun. I did tell my roommates that we should do more sports and, come August, I'll probably get a gym membership, but I absolutely hate running. It feels like such a hopeless endeavor as the end is almost impossible to see. So that's my rant for the day.

Wanted, or What does the NRA think about Assassins

I watched Wanted last night. I knew I was in for something different, since director Timur Bekmambetov isn't known for creating a sober film. His Russian fantasy films, Night Watch and Day Watch, are a crazy mix between an acid trip and a few episodes of Sponge Bob Square Pants. This makes complete sense when creating a comic book film, though I do wonder if the general public will be ready for this one. Wanted definitely has its own style. The voiceover narration, by James Mcavoy, makes the film more than just a sheer superhero film, though it's technically a supervillain film. Newby Mcavoy is asked to join the Fraternity of Assassins, designed to create order around the world. He is one of a few people in the world with a rare gift; he can slow down time and respond quicker to his surroundings. This makes him more agile and an amazing gunman. But the point of the joining the Fraternity isn't for the sake of humanity's survival. No, Mcavoy's character joins up because he doesn't know who he is and feels that this group of killers can help him find his destiny (a commonly used word in the film), or purpose.

The entire film actually felt like a fucked up version of Rick Warren's A Purpose Driven Life. He wasn't doing what he should've been with his life when he had the 9-5 job. Now, he was livin' the dream. Getting the much-needed rush to calm his anxiety and help him find clarity...you know, amidst all the killing. The way "purpose" is addressed in this film is almost satiric. This is "Fight Club" for gun lovers. While bullets fly through people's skulls, Mcavoy says, in voiceover, "this is me taking control of my life, my destiny, what the fuck have you done lately." I wanted to cheer and laugh at the same time. Obviously, the film was shooting for badassness, but it sure was telling at the same time.

On a different note, I really think the film would've been better if it had followed the graphic novels it was based on more. The premise is amazing. In 1986, the Fraternity decide to kill all the superheroes of the world and decided to quietly control it through their organization. The series picks up with an uprising in the Frat, where some members are tired of remaining on the sidelines of society. There are no good guys-not ridiculous idea that assassins are a necessity for peace. In Wanted, assassins are just people trying to take over the world. Also, the Wanted series also has magicians and people with other types of powers besides awesome gun slinging, but perhaps concepts like curving the bullet were enough for one film to handle. It wasn't perfect but it sure was entertaining. And James Mcavoy is an amazing actor. He definitely pulled off the action hero role. Props.

Yet Another Nerd Out Moment

I just got back from a special theatre screening of my favourite anime, Bleach. The show created a film in 2006 called Bleach: Memories of Nobody, for two nights at select theatres they premiered the English-dubbed version of the film. The screening was just like a midnight showing of a film or attending Sundance; you're surrounding my people just as obsessed as you. It's quite refreshing after the months of torment from roommates and friends about my abnormal interest in this Japanese phenomena. Before the film started, there were several previews of selected anime TV shows and it was great to here people cheering them on-this cheering would continue throughout the movie when familiar faces appeared for big battles.

There were no previews for films before the movie, but there was a 15-minutish piece on the Via Media, the American distributor of Bleach, on the process of converting the Japanese manga for an English-speaking audience, and converting the anime for an English-speaking audience as well. The video actually began with a good five-minute clip of the Bleach creator sketching the main character. It reminded me about how I used to be able to draw but somehow forgot...oh well. Anyways, the video was rather interesting and it included interviews from voice actors and the editing team at Via Media. There are more than 170 episodes in the show's history and I'm almost caught, thus it was rather interesting to see the faces of the voice actors and learn about what's going with the Japanese creators and the American team. P.S. the creator is gonna be at ComiCon in San Diego this July, and I'm totally gonna go here him speak.

The film was about what I expected. It had nothing to do with the main story arch of the show, which is incredibly in depth, but did it's own thing with new villians and a new character it could kill off at the end. It was still cool to see the fight scenes of memorable characters and watch something with crisper animation-the music still sucks. It was a pretty cool experience and, as usual, I love going to the movies. The End.

Top 10 Fantasy Films

So I saw The Chronicles of Narnia: Prince Caspian last night, and I quite enjoyed it. Way better than The Lion, the Witch, and the Wardrobe. Darker and even had a rather bleak ending. They added some stuff that wasn't in the book and it worked really well. Funny, dark, and epic battles. It's inspired me to create my new fantasy top 10 list.

10. Hook
9. Spirited Away
8. The Neverending Story
7. CON: Prince Caspian
6. Harry Potter and the Order of the Pheonix
5. LOTR: The Fellowship of the Ring
4. Princess Mononoke
3. Pan's Labyrinth
2. LOTR: The Return of the King
1. LOTR: Two Tower

Teeth: When “It” Fights Back

A film was recently released on DVD called Teeth, and you’ll never guess where they’re located. I’ll give you a hint…vagina. I saw the premiere of this film at the 2007 Sundance Film Festival. The film description said little more than a synopsis about a high schooler who runs a purity campaign begins going through some changes. No shit. It then concludes saying that if you don’t know what the vagina dentata myth is, then you will. It’s true. So the premise is pretty simple. A girl is born different. She gets a crush on a guy. They kiss. He wants to go farther and she doesn’t. Unfortunately, when he forces himself on her, those sneaky teeth kick in and kick out his little guy. Some idiots still believe that most women had it coming when they get raped. Welp, this guy definitely had it coming. Use your penis for evil and you lose it. The girl then learns to control her newfound power. When she’s happy, it doesn’t bite. But if you piss her off, get ready for something really, really fucked up.

I remember watching this film with a large group of people that cringed, shouted, and laughed in unison. The film was definitely a mix between comedy and horror. Also, it really wasn’t that good. Bad acting. Ridiculous music. Superficial plotline. It really only had shock value. But that’s more than most horror films have these days. I remain convinced that this film, while trying to become a girl-power film, actually doesn’t do anything new. It simply allows women to enter male-dominated film with the same aggression and bloodlust as men. This isn’t something new, but the old reversed. With that said, the vagina dentata myth still speaks loudly to Western culture—and world culture for that matter. Culture truly forms around the dominating ideology of penetration as the ultimate form of power. What is a knife if not an extension of the penis, spreading its power to whatever victim, male or female, it seeks out. There’s a reason most serial killers in movies use knives and go after women. Teeth serves as an alternative to penetration as power. The vagina becomes a weapon that can engulf the penis. The foreign object is at a disadvantage on the home turf.

There’s part of me that wants to buy this film even though I may never watch it again. Though I am curious to see the rated-R version as I saw an unrated one. Three castrations will stick with you. The subject matter is intense and easily ignorable to many, but when I left that many, there were a lot of 45-year-old female viewers talking about how the chick flick was just redefined. There’s something powerful in this crappy movie. Just imagine the possibilities of such a concept or similar ones, thematically, maybe not just conceptually, in the hands of a film master

Top 10 Comic Book Movies

So I've been inspired to create my top 10 superhero movies list, since I just looked at one that was ridiculously stupid. Sorry, this ain't an opinion, the guy was a dumbass for his list. Oh well, not everyone can be right. (keep in mind, there's a lot of superhero movies coming out, so this list could easily change)

10. Batman
9. Superman
8. The Incredibles
7. Blade II
6. Unbreakable
5. V for Vendetta
4. Batman Begins
3. Iron Man
2. X2
1. Spider-Man 2

Pop Culture for the Soul

I officially have all the classes set up to teach at APU this fall. I will be teaching Freshmen Writing Seminar, Intro to Journalism, and Studies in Popular Culture. I'm so incredibly thrilled. For FWS, movies will be my theme. I'm planning to have the students write critically about such films as Princess Mononoke, Pan's Labyrinth, Moulin Rouge, and Enchanted. They'll do reviews, a film journal, and a major paper about a specific film. I think it'll be a great way to teach writing. Intro to Journalism should be a blast. It'll be part writing and part critical understanding of the journalistic media. I'm planning to have the students read a book called The Rise of the Image, the Fall of the Word, which addresses the changing cultural environment that cares more about visual rather than textual mediums. I'm also going to address current journalistic trends through such books as Nickel and Dimed, Why White Kids Love Hip-Hop, Sex, Drugs and Cocoa Puffs, and When Chickenheads Come Home to Roost. The students will learn to write like a journalist and appreciate and critique the different styles of media coverage of contemporary society. I think Pop Culture might be my baby. I've already begun compiling a reader, which will have certain chapters from different books, along with three other books the students will read in their entirety. The class should be a lot of fun.
This and other things have really made me optimistic about my future. It's weird how paranoid I've been, and how things have really started coming together. It's all been rather surreal lately. I owe a lot to my old teacher Karen Sorensen. She plugged me for The Clause job and continued to plug me for other positions, which I now have. So, I've never written a syllabus or run a class in this kind of a setting. I have quest lectured before and spoken at conferences. This is going to be a very unique experience and should give me a good clue as to what I'll be doing in the future and how I should go about. I can't wait until fall...though summer should be interesting as well.

Conference Stress

Next Friday I'll be presenting at a religion conference called "Convivencia: Religious Identities in the New World" at Loyola Marymount University. My presentation will be titled "Children of a Babbling Labyrinth: the Reforming Other and Mexican Filmmakers." I will be looking at the films Babel, Children of Men, and Pan's Labyrinth, which were each directed by Mexican filmmakers, and addressing how they represent three unique directions Mexican filmmakers can take in the global film market. My focus will be on how the films feed off each other, as they each premiered in 2006, and the way they each approach topics such as suffering and liberation. All the while, I'll be making a claim that such a viewpoint is necessary for the growing discipline of theology and film studies. As of now, I'm drawing from such scholars as Walter Wink, Gustavo Gutierrez, bell hooks, and several other theo and film scholars.

I looked at the list of paper sessions and I am on a panel with two very unrelated papers: feminist power in Latin American and Muslim/Christian relations in Israel. In fact, there is only one other paper about film at the conference, and of all people, my old professor Carrie Peirce is presenting it. Her class at APU is one of the few that changed my life perspective and now I'm presenting on a similar field as her (this rather makes me feel insecure). Either way, this conference is a great opportunity, though I am completely stressed about what I am going to say and how I'm going to do it. I've debated just writing something out and reading it. I know that sounds boring but I've seen it done several times and it might be a good idea since I'm going to be one of the younger presenters there. That last thing I want to do is worry about stumbling over my words. Well, all I have to do is finish writing that damn thing. For the life of me, I can't seem to tie it all together in a tangible and critical way. My normal textual vomit style of writing papers isn't going to cut. However, there seems to be a light at the end of Plato's fucking cave. We'll see.